Writer's quotes

Writings, Essays and Stories
by James Donaldson Collins BA(Hons) Fine Art

Favourite writers
Here are some passages from books that have stayed with me over the years

Opening of 'Under Milk Wood' by Dylan Thomas

To begin at the beginning: It is spring, moonless night in the small town, starless and bible-black, the cobblestreets silent and the hunched, courters-and-rabbits wood limping invisible down to the sloeblack, slow, black, crowblack, fishingboat-bobbing sea. The houses are blind as moles (though moles see fine tonight in the snouting, velvet dingles) or blind as Captain Cat there in the muffled middle by the pump and the town clock, the shops in mourning, the Welfare Hall in widows' weeds. And all the people of the lulled and dumbfound town are sleeping now.

Hush, the babies are sleeping, the farmers, the fishers, the tradesmen and pensioners, cobbler, schoolteacher, postman and publican, the undertaker and the fancy woman, drunkard, dressmaker, preacher, policeman, the web foot cocklewomen and the tidy wives. "Young girls lie bedded soft or glide in their dreams, with rings and trousseaux, bridesmaided by glow-worms down the aisles of the organplaying wood. The boys are dreaming wicked or of the bucking ranches of the night and the jollyrodgered sea. And the anthracite statues of the horses sleep in the fields, and the cows in the byres, and the dogs in the wetnosed yards; and the cats nap in the slant corners or lope sly, streaking and needling, on the one cloud of the roofs.

You can hear the dew falling, and the hushed town breathing. Only your eyes are unclosed, to see the black and folded town fast, and slow, asleep. And you alone can hear the invisible starfall, the darkest-before-dawn minutely dewgrazed stir of the black, dab-filled sea where the Arethusa, the Curlew and the Skylark, Zanzibar, Rhiannon, the Rover, the Cormorant, and the Star of Wales tilt and ride.

Listen. It is night moving in the streets, the processional salt slow musical wind in Coronation Street and Cockle Row, it is the grass growing on Llareggub Hill, dew fall, star fall, the sleep of birds in Milk Wood. Listen. It is night in the chill, squat chapel, hymning, in bonnet and brooch and bombazine black, butterfly choker and bootlace bow, coughing like nannygoats, sucking mintoes, fortywinking hallelujah;

night in the four-ale, quiet as a domino; in Ocky Milkman's loft like a mouse with gloves; in Dai Bread's bakery flying like black flour. It is tonight in Donkey Street, trotting silent, with seaweed on its hooves, along the cockled cobbles, past curtained fernpot, text and trinket, harmonium, holy dresser, watercolours done by hand, china dog and rosy tin teacaddy. It is night neddying among the snuggeries of babies.

Look. It is night, dumbly, royally winding through the Coronation cherry trees; going through the graveyard of Bethesda with winds gloved and folded, and dew doffed; tumbling by the Sailors' Arms. Time passes. Listen. Time passes.
Dylan Thomas 1862 - 1949
Dylan Thomas wrote Under Milk Wood in 1954 as a play for radio. It covers twentyfour hours in the life of a small coastal village in Wales called Llaregub. The narrator was Richard Burton. You can hear the original recording at Under Milk Wood

From White Fang by Jack London
It was in line with these experiences that White Fang came to learn the law of property and the duty of the defence of property. From the protection of his god's body to the protection of his god's possessions was a step, and this step he made. What was his god's was to be defended against all the world - even to the extent of biting other gods. Not only was such an act sacrilegious in its nature, but it was fraught with peril. The gods were all-powerful, and a dog was no match against them; yet White Fang learned to face them, fiercely belligerent and unafraid. Duty rose above fear, and thieving gods learned to leave Grey beaver's property alone...

...The months went by, binding stronger and stronger the covenant between dog and man. This was the ancient covenant that the first wolf that came in from the Wild entered into with man. And, like all succeeding wolves and wild dogs that had done likewise, White Fang worked the covenant out for himself. The terms were simple. For the possession of a flesh-and-blood god he exchanged his own liberty. Food and fire, protection and companionship, were some of the things he received from the god. In return he guarded the god's property, defended his body, worked for him, and obeyed him.
Jack London 1876 - 1916
A committed socialist, he was the most succesful American writer in the early 20th century. His vigorous stories of men and animals against the environment, and survival against hardships were drawn mainly from his own experience.

The Wind in the Willows by Kenneth Grahame
From chapter 7 - The Piper at the Gates of Dawn

In silence Mole rowed rowed steadily, and soon they came to a point where the river divided, a long backwater branching off to one side. With a slight movement of his head Rat, who had long dropped the rudder-lines, directed the rower to take the backwater. The creeping tide of light gained and gained, and now they could see the colour of the flowers that gemmed the water's edge.

"Clearer and nearer still," cried the Rat joyously, "Now you must surely hear it! Ah - at last - I see you do"!

Brerathless and transfixed the Mole stopped rowing as the liquid run of that glad piping broke on him like a wave, caught him up, ab=nd possessed him utterly. he saw the tears on his comrade's cheeks, and bowed his head and understood. For a space they hung there, brushed by the purple loosestrife that fringed the bank; then the clear imperious summons that marched hand-in-hand with the intoxicating melody imposed its will on Mole, and mechanically he bent to his oars again. And the light grew steadily stronger, but no birds sang as they were wont to do at the approach of dawn; and but for the heavenly music all was marvellously still.

On either side of them, as they glided onwards, the rich meadow-grass seemed that morning of a freshness and a greenness unsurpassable. Never had they noticed the roses so vived, the willow-herb so riotous, the meadow-sweet so odorous and pervading. Then the murmer of the approaching weir began to hold the air, and they felt a consciousness that they were nearing the end, whatever it might be, that surely awaited their expedition.

A wide half-circle of foam and glinting lights and shining shoulders of green water, the great weir closed the backwater from bank to bank, troubled all the quiet surface with twirling eddies and floating foam-streak, and deadened all other sounds with its solemn and soothing rumble. In midmost of the stream, embraced in the weir's shimmering arm-spread, a small island lay anchored, fringed close with willow and silver birch and alder. Reserved, shy, but full of significance, it hid whatever it might hold behind a veil, keeping it till the hour should come, and, with the hour, those who were called and chosen.

Slowly, but with no doubt or hesitation whatever, and in something of a solemn expectancy, the two animals passed through the broken, tumultuous water and moored their boat at the flowery margin of the island. In silence they landed, and pushed through the blossom and scented herbage and undergrowth that lead up to the level ground, till they stood on a little lawn of a marvellous green, set round with Nature's own orchard-trees - crab-apple, wild cherry, and sloe.

"This is the place of my song-dream, the place the music played to me," whispered the Rat, as if in a trance. "Here, in this holy place, here if anywhere, surely we shall find Him!"
Then suddenly the Mole felt a great Awe fall upon him, an awe that turned his muscles to water, bowed his head, and rooted his feet to the ground. It was no panic terror - indeed he felt wonderfully at peace and happy - but it was an awe that smote and held him and, without seeing, he knew it could only mean that some august Presence was very, very near. With difficulty he turned to look for his friend, and saw him at his side cowed, stricken, and trembling violently. And still there was utter silence in the populous bird-haunted branches around them; and still the light grew and grew.

Perhaps he would never have dared to raise his eyes, but that, though the piping was now hushed, the call and the summons seemed still dominant and imperious. He might not refuse, were Death himself waiting to strike him instantly, once he had looked with mortal eye on things rightly kept hidden.

Trembling he obeyed, and raised his humble head; and then, in that utter clearness of the imminent dawn, while Nature, flushed with fullness of incedible colour, seemed to hold her breath for the event, he looked in the very eyes of the Friend and Helper; saw the backward sweep of the curved horns, gleaming in the growing daylight; saw the stern, hooked nose between the kindly eyes that were looking down on them humourously, while the bearded mouth broke into a half-smile at the corners; saw the rippling muscles on the arm that lay across the broad chest, the long supple hand still holding the pan-pipes only just fallen away from the parted lips; saw the splendid curve of the shaggy limbs disposed in majestic ease on the sward; saw, last of all, nestling between his very hooves, sleeping in entire peace and contentment, the little, round, podgy, childish form of the baby otter. All this he saw, for one moment breathless and intense, vivid on the morning air; and still, as he looked, he lived; and still, as he lived, he wondered.

"Rat!" he found breath to whisper, shaking. "Are you afraid?"
Kenneth Grahame 1859 - 1932 Scottish writer Kenneth Grahame published Wind in the Willows, one of the best-loved children's books ever written, in 1908. The 'Friend and Helper' at the center of this chapter is of course the pagan demi-god Pan, whose origins are in Ancient Greek mythology

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